What’s the best melody for the Bond movie theme?

James Bond and music have made great bedfellows (and he’s had a few) in the 59 years since the first movie – Dr No – was released in 1962. This first release for 007 relied on John Barry and his orchestra, the composer taking the iconic tune of Monty Norman’s instrumental theme and accelerating it through several speeds to become one of the most important arrangements. more familiar with film music.

From the second film, an original song was included and thus began a decades-long tradition for the series. Most often, the melody was written by the composer of the film’s score, but not always. Over the years, the coveted role of writing the Bond song has gone to some of the world’s most popular hitmakers, whether they’ve sung it themselves or not.

What musical moment is “All Time High” and for which would we say “Writing’s On The Wall”?

  1. “Die another day” of Die another day (2002)

Pierce Brosnan’s last outing as 007 saw a bit of a departure in terms of song. However, you couldn’t ask a bigger star to get behind. Madonna has written and produced, with producer Mirwais Ahmadzaï and composer Michel Colombier. The song continues to divide opinion, but it strays too far from proven models to be in last place.

  1. All time high ‘from Octopus (1983)
    Rita Coolidge

With a title like Octopus, it’s no wonder that John Barry (who returned after a hiatus) and lyricist Tim Rice struggled. So it was ‘All Time High’, sort of marking a comeback for singer Rita Coolidge… Unfortunately, the song is more of an ‘all time’.

  1. “For your eyes only” from Just for your eyes (nineteen eighty one)
    Sheena easton

Rocky Composer Bill Conti composed the score for the film and wrote this title song with Mike Leeson. He’s a great melodist and it’s a great production with a strong voice from 80s star Easton. That said, it’s all a bit sparkling and light for 007 isn’t it?

  1. “The lights of the day” by Daylight alive (1987)

After Duran Duran’s success with A sight to kill, going with another of the biggest pop groups of the decade was a no-brainer. Group guitarist Pål Waaktaar is behind the song, which was produced by composer John Barry. It’s a beautiful track and very much in line with the production topping the Norwegian superstars charts. It’s just not very Bond.

  1. “Tomorrow never dies” from Tomorrow never dies (1997)
    Sheryl Raven

Sheryl Crow wrote this with producer Mitchell Froom and it’s… good, even if it’s a little light. Composer David Arnold made his Bond debut with the sheet music for that film and wrote an original song starring Don Black and David McAlmont, but “Surrender” was relegated to the end credits, although it was a far superior song.

  1. Tourniquet ‘of Golden eye (1995)
    Tina turner
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There was a big gap between Timothy Dalton’s last outing as 007 and this one, Pierce Brosnan’s debut in the role. A lot of waiting, then, for the music… French composer Eric Serra supervised the score, but this song was written by Bono and The Edge from U2. Underrated, maybe considered a bit low-key at the time, it’s actually pretty good.

  1. Moonraker ‘from Moonraker (1979)
    Shirley Bassey

If someone asked you to hum “Moonraker”, you might have a hard time doing so. The third of Dame Shirley’s three Bond songs, she did not enjoy the success or familiarity of her early endeavors. This is probably because only the melody was used to open the film, which ended with a Disco arrangement (!). Bassey was apparently brought in to record the track at the eleventh hour …

  1. “No time to die” from No time to die (2020)
    Billie Eilish

We heard this for months before the film was released, thanks to the global pandemic. Written and performed by Billie Eilish, and written with her brother Finneas O’Connell, it has all the musical characteristics of modern Bond. A proven formula, then, but perhaps nothing new.

  1. The man with the golden gun The man with the golden gun (1974)

John Barry had stepped back for the previous film (Live and Let Die) but came back for it, with its classic title. Written with Don Black, it hasn’t aged very well – even the oldest songs sound fresher than this one. It’s cheesy and just a little contagious… or is it a little irritating?

  1. “A View To A Kill” by A sight to kill (1985)
    Duran Duran

Totally a product of her time, but not worse for her, this song was a close collaboration between the band and composer John Barry. It’s colorful, epic and at times a bit crazy. Synthetic.

  1. “License to kill” from License to kill (1989)
    Gladys Chevalier

Bond went Pop in the ’80s, and this song from successful Narada creators Michael Walden, Jeffrey Cohen, and Walter Afanasieff ended the decade’s offerings on a high note thanks in no small part to Knight’s fabulous vocals.

  1. The world is not enough ‘of The world is not enough (1999)

Composer David Arnold has always been a natural with Bond and he wrote this original song for one of the world’s most prominent bands, and with one of John Barry’s signature lyricists, Don Black. It sounds like a classic Bond song from the opening bars.

  1. “You know my name” from Casino Royale (2006)
    Chris Cornell
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When Bond was recast with Daniel Craig whose outlines, let’s face it, were a bit rougher (stamp?) The late Chris Cornell wrote it and it was produced by sheet music composer David Arnold. There was certainly more swagger than we had heard in a while.

  1. “You only live twice” from You only live twice (1967)
    Nancy sinatra

It’s a bit of a treasure and widely regarded as one of Bond’s best songs, with its classic Barry melody and Leslie Bricusse lyrics. Perhaps its most famous element is the noble string intro, adopted by Robbie Williams for his hit song “Millennium”.

  1. “Writings on the wall” by Spectrum (2015)
    Sam smith

After the success of Adele’s song for the previous film, it made sense to stick with the idea of ​​working with a successful singer-songwriter. Smith worked his magic with this touching and sultry act and grabbed an Oscar in the process.

  1. “Another way to die” from Quantum of Consolation (2008)
    Jack White and Alicia Keys

White Stripes frontman Jack White wrote and produced this one, teaming up with the brilliant Alicia Keys for the performance. He has a fabulous swagger that sets him apart from most of the songs that have come before him in recent years.

  1. Thunderclap ‘of Thunder clap (1965)
    Tom jones

Tom Jones and James Bond went together like apples and oranges, but it was Bond’s song that hardly ever was. Another, by Barry and Leslie Bricusse, was written for the film with Shirley Bassey in mind, but it was never selected. Instead, Barry wrote this in a hurry with Don Black… and he’s a cracker.

  1. “From Russia with love” by From Russia with love (1963)
    Matt Monro

Bond’s first song! John Barry returned for the second release of 007, but the song itself was written by Olivier ! composer Lionel Bart. Barry refers to Bart’s aria in his opening title medley and it later appears as the source music; Matt Monro’s silky voice is only heard at the end of the tracks. Swoon.

  1. ‘Skyfall’ by Fall from the sky (2012)

The first Bond song to win an Oscar, Adele wrote the track with producer Paul Epworth. Sheet music composer Thomas Newman did not attend, although his usual orchestrator, JAC Redford, made the arrangements. Her rich dramatic burst and smoky voice were emulated in the two songs that followed…

  1. “We have all the time in the world” from On Her Majesty’s Secret Service (1969)
    Louis armstrong
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Quite classic and if you didn’t know your Bond you might be surprised to learn that it was written for 007. Written by John Barry with the great Hal David, it was actually secondary to Barry’s main orchestral theme. for the movie that was used for the opening credits. The title comes from the last line of the movie (and the book).

  1. “Nobody does better” than The spy who loved me (1977)
    Carly simon

A change of pace came with this hit song, performed by the great Carly Simon and written by composer Marvin Hamlisch with Carole Bayer Sager. It was the second Bond song not to use the film’s title, although it does appear in the lyrics.

  1. Goldfinger ‘from The golden finger (1964)
    Shirley Bassey

Third film, second song, Bassey’s premiere. John Barry teamed up with lyricist duo Leslie Bricusse and Anthony Newley for this solid gold piece of musical storytelling. He set the benchmark for Bond brand’s brassy, ​​daring and brilliant song arrangements.

  1. Live and let die ‘of Live and Let Die (1973)
    Paul McCartney and the wings

Paul and Linda McCartney wrote this legendary track, which was produced and arranged by former Beatles producer George Martin (who wrote the music for the film). This is probably one of the more unusual songs written for the series, but stands out for its orchestral largesse and rhapsodic qualities.

  1. “Diamonds are forever” from Diamonds are forever (1971)
    Shirley Bassey

Maybe it was her second outing with Bond, surely is Shirley’s best? Written by John Barry and Don Black, it has become an immortal hit. Sensual melody, perfect (and powerful) voice and lyrics that paint the most vivid image. It doesn’t get much better than that.

  1. “The James Bond Theme” from Dr No (1962)
    John Barry Orchestra

The best Bond musical theme? Why is the James Bond theme? Dr No sure. It’s iconic and you recognize it from the first highlight. The Monty Norman theme, brought to life in John Barry’s spectacular arrangement, is present in one form or another in every Bond film. So of course he is in the first place.

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